Each and every article in my blog is not my own creation.
I got every thing while surfing in the net.
So if some one claims that its their creation,i am ready to apologize and if they want i can even unpublish it from my blog.
Enjoy the blog and leave your comments.
With love
Nirmal
Movie Review Frm Indiaglitz.com
| Mozhi - Beauty and Joy |
 It takes courage and conviction to take an untreaded path and leave a trail. That way, Prakash Raj can be called a trailblazer for he has, through Duet Movies, encouraged fresh talents and has consistently been translating dreams of creators into realities. Be it Anthapuram or Naam, Azhagiya Theeye or Kanda Naal Mudhal, the themes he chooses seem to reflect the larger than life person that he is. And now, with Mozhi, we understand that he has dared to dream bigger and think taller. Mozhi is a clean entertainer that justifies the tagline that is found in the promotional materials of the film. “It is not the expression, but the emotion.” Indeed!  Mozhi is a musical love story. It is the light hearted and at the same time, intense portrayal of love between a musician and a deaf and dumb girl. Karthik (Prithviraj) and Viji (Prakash Raj) are musicians who work in the dream factory. They are keyboard players who live and love music. They exhibit an infectious enthusiasm and enjoy life the way it is. It is at this juncture that Karthik chances upon Archana (Jyothika), and she happens to live in the same apartment as Viji and Karthik. Karthik looks up to this woman with awe for her sheer courage, as she takes on a man who bashes his wife in the middle of the road. Karthik realizes that she could just be the one that he has been waiting for all his life. Karthik soon understands that Archana is a deaf and dumb woman and while Viji is full of misgivings about the relationship blooming into love, Karthik is confident and in fact, decides that Archana is the one for him. Karthik gets acquainted with Archana’s friend Sheela (Swarnamalya) and starts learning sign language from her. He starts communicating with Archana using the sign language. We also get an insight into what a headstrong character Archana is. She is a self-dependant and outgoing woman. The story then borders on the smiles, tears, emotional turmoil and contagious laughter of the foursome all the way till the climax.  Jyothika as Archana steals the show. Not surprising, because with every film of hers, we have seen myriad shades of her performance and they have showed us what a seasoned performer she is. She is deaf, she is mute. But she makes all of us talk volumes about her performance, just the way one did after watching Vikram in Pithamagan. She is absolutely credible as the obstinate and confident young woman. Prithviraj as Karthik and Prakash Raj as Viji provide us with rib-tickling humour and wit here is not thrust or deliberate. It is an undercurrent in all their conversations and they score in performance as well. Swarnamalya for Sheela is an apt choice. She has understood her character with amazing clarity and has got into the skin of it. She has done her role with ease and élan. Brahmanandam as the menacing neighbour and MS Bhaskar as the professor are absolutely brilliant. MS Bhaskar, who had lost his memory due to the untimely loss of his son, lives in the same apartment as Archana and Karthik. His poignant portrayal and subtle performance definitely calls for appreciation.  The dialogue writer Viji has done a remarkable job. Every syllable in his dialogues is sensitive and sensible. He has blended sparkling wit and subtle strength in his dialogues which is definitely a high-point of the film. If for most of the time, the audience in the theatre is in splits, it is definitely due to him. Kudos to Viji for a job well-done! Vidyasagar is absolutely commendable. For a story which borders on music, Vidyasagar has given just the right feel and emotion. His music is smooth and is never loud or distracting anywhere. KV Guhan’s cinematography and Kasi Viswanathan’s editing are neat and are of first-rate. Art director Kathir has lent creative touches with brilliant sets which strike a chord in the viewers’ minds. His sensitive set in the form of Jyothika’s room deserves mention. Radha Mohan has given us clean entertainers like Azhagiya Theeye and Ponniyin Selvan before. With this film, he has joined the bandwagon of directors who remain uncompromising on quality. His screenplay is taut. Subtle directorial touches in the form of the bulbs burning bright when Karthik sees Archana and when Viji takes a liking for Sheela are exemplary. Mention can also be made of the gift Archana gives to Karthik (a violin made of soap), the musical clock, Archana being able to feel music by keeping her hands on the speakers, and the delicate humour that sneaks up when a neighbour (Neelima Rani) takes a liking for Karthik. Such nuances have made the film more interesting. On the whole, Mozhi transforms you into another world where there is just laughter and beauty everywhere. John Keats once said, "A thing of beauty is a joy forever." And Mozhi is joy! |
He-He and She-She meets in park on an evening accompanied with cool breeze and slight drizzle.
She-She : Deiii..
He-He : Ennama?
She-She : I have make up my mind
He-He : Un mugam irukara latchanathukku athukku make up potta ok..ethukku mind ku make up.. anga than onnum illiye
She-She : hehe...sorry oru chinna grammatical mistake. I told i have made up my mind
He-He : unakku mattum eppadi pa pesumbothe grammatical mistake varuthu.. kashtam... sari what have u made up
She-She : Naama nalaikku odi polama?
He-He : [shockingly] Ennappa solre... Neeya solre
She-She : Pinna enakku Savitha va dubbing koduthu ippo pesittu irukanga naan than solren
He-He : Hey are u serious? Unakku kalyanam nichayamaayiduchi theriyum la
She-She : athunala enna kalyanama aayiduchi...ellathaiyum enkitta kettuta panranga
He-He : Anniku ithe kelvi ya naan kettappo, nee ennai thittunae?
She-She : aama athu anniku, ithu inniku
He-He : Adikkadi marurathukku inga enna Opinion poll ah eduthuttu irukom?
She-She : Dei, veetula othukuvanga ninaichen...psst...but avanga ketkale..... so intha decision ku vanthen
He-He : (Says firmly) Sari... odi vara nee ready na, kootitu poga naanum ready...
She-She : Good, naan elathaiyum inniku night eh pack up pannidaren
He-He : No..No ethuvum vendaam...nee uduthina dress oda appadiye va...athu pothum
She-She : Really?? do u mean it? Good da..unnai ennamo ninaichen...avan avan athu eduthuttu vaa ithu eduthuttu va solra kaalathula....... nee
He-He : sari sari overaa urugaathe... correct ah 5'0 clock... appathan yaarum irukka maatanga... vanthudu
She-She : correct da..appa than enga veetula thoongitu iruppanga..nice ah varathukku vasathiya irukkum.. ok da a important day tomm... see ya tomm..correct ah vanthudu, kavuthudaathe....
[ Next day at the dawn 5 am... namma She-She medhu va cat walking pani velila vara... He-He is standing outside.... ]
She-She : machi paravalla seekiram vanthutte
He-He : Illiya pinnae, sari va polamaa....
She-She : Yes
And so, She-She who got disappointed by her father's decision on not buying a treadmill for her, starts her first day jogging along with the Athletic coach and her friend He-He
Moral of the Story : Atleast this summer, Get up early and exercise for keeping urself fit and a healthy mind and body.
ANSWER: The characters go to different places, depending on whom you ask:
Movie Review frm Indiaglitz.com
t takes guts and gumption to stitch an icy thriller with the tapestry of commercial cinema. It takes an ability almost bordering on genius to pull it off. Take a bow Gautham & Co, you have just pulled off a memorable coup as Pachai Killi Muthucharam is an over two-hour non-stop excitement that pins you down to your chair (albeit on the edge of it).
This glossy and gritty, slick and stylized in typical Gautham’s style of fast-cut narrative, is an answer to all those who demand their entertainment to be intelligent and interesting. The story, the performance, the presentation and the entire everything belongs to top-drawer and those associated with the film can take pride that they have done something worthy.
Gautham is one director who marries substance with shine and here does it with his usual panache. His skill over the medium becomes evident right from the slanting lights and the dark corners that are pregnant with the greyness of life. Medium apart, Gautham is also very good with men and women, so to say as he has got the best out of his acting team. Sarath in a near-life character after a long time shows that he is no one-trick pony. And what do you say of Jyothika. You may think that she reserves her best for Gautham. She is too good in a character that is complex and compelling in its contradictions. Gautham’s success lies in elevating an every-day tale to a believable drama. The shell of the story is, as Gautham has mentioned, is Derailed, the book. But the core is Gautham’s own ingenuity and improvisations.
When you see a movie like Pachai Kili Muthucharam it exposes the hollow talk of many directors and producers that they make movies under a lot of commercial compulsions. Make no mistake Pachai Kili Muthucharam is a commercial entertainer but is filled with all the right stuff that at no point you feel bored.
Gautham, as ever, sticks to his high technical standards and makes the mood and moment come alive with all its intriguing possibilities. The plebeian Chennai of trains and dust, of crowd and clamour get an artistic edification in Gautham (and cameraman Aravind Krishna’s) eyes.
To talk of the story of such an interesting thriller would be wrong and unforgivable. But the broad story line is contoured around Venakatesh (Sarath Kumar). He is so every-day like that he maybe your neighbour. A contended man, who doesn’t stir beyond the comfort zone of his regimented life. The work and domesticity are his bliss. His life is simple and sweet and revolves around Kalyani (Andrea), his wife. The sweetness of their life is their son Nanda. Sweetness should not be the word here as Nanda is diagnosed as suffering from diabetics.
And soon enough color goes out of their lives and a steely monochrome replaces it. Venky and Kalyani, though bound by their domestic compulsions, drift apart inexorably. Their comfort zone, at least in the mind, is shaken. It is at this juncture that Venky espies Geetha (Jyothika).
She comes into his life in the train that carries to and back to the city. It is in the rattle of rickety train that his own life becomes rickety and rattled. There is a forbidden charm to Geetha’s quiet beauty. Her eyes carry the bait that no man can escape. Venky slips very badly. The dark menace of blackmail starts. And then? By who? Why?
Well it is a question mark after question marks as Gautham rings in the changes like a master sorcerer. The surprise is in every scene and every change. The script gets a sharper edge with dialogues that are real and reasonable.
Sarath reins his over-the-top tendencies and shows a mature mind to fit himself to the role. Venky, the character is a success, because he is no different from you or me. The controlled emotions and the difference in his manner while carrying the secrets of his life is really good.
And then we have to talk about Jyothika. But where do we start? And should we end? It is a breathtakingly brilliant portrayal of a woman who is normal yet not so. The danger lurking inside her is brought out with amazing finesse and nuance. The complexity is agreeable because it is portrayed acceptably.
Milind Soman, the Mumbai macho, fits his character with rare ease. He is absolutely at home and lends weightage to the pivotal character. Andrea, though slightly self-conscious, too is very good in her role as woman who has to contend with her husband’s indiscretion.
Harris Jayaraj usually reserves his best for Gautham. Here he outdoes his previous works. The songs are soulful and superb. Be it Unnakul Nan in the ethereal voice of Bombay Jaishree or that refreshing Un Sirripil or that Kadhal Konjam in Naresh Iyer’s youthful vocals, they are all treasures. The re-recording too is amazingly apt.
Aravind Krishna, who is a newcomer to Gautham’s school, is a true delight. The fact that he had worked with Selvaraghavan who is a past master in showcasing dark human emotions, comes more than handy as this movie is a thriller of the mind. His angles and the unusual play of lights give your everyday vignettes a new focus.
Anthony’s editing is sharp and carry with it the precision of a surgeon and the flourish of a painter. It helps to maintain the tempo of this racy venture.
As we said, Gautham has shown that he is among the most promising avant garde directors in the country who know how to tell a story with all the contemporary fizz and flourish. Yet, at the same time retain the pristine nature of story telling — which is to keep the audience thinking ‘what next’.
Gautham has done that.
So stop reading this and go out and book the tickets for the show. And now, that is!
Read more...
There was a farmer who grew superior quality and award-winning corn.
Each year he entered his corn in the state fair where it won honor and prizes.
One year a newspaper reporter interviewed him and learnt something interesting about how he grew it. The reporter discovered that the farmer shared his seed corn with his neighbors'.
"How can you afford to share your best seed corn with your neighbors when they are entering corn in competition with yours each year?" the reporter asked.
"Why sir, "said the farmer, "didn't you know? The wind picks up pollen from the ripening corn and swirls it from field to field. If my neighbors grow inferior, sub-standard and poor quality corn, cross-pollination will steadily degrade the quality of my corn.
If I am to grow good corn, I must help my neighbors grow good corn."
The farmer gave a superb insight into the connectedness of life. His corn cannot improve unless his neighbor's corn also improves. So it is in the other dimensions! Those who choose to be at harmony must help their neighbors and colleagues to be at peace. Those who choose to live well must help others to live well. The value of a life is measured by the lives it touches.
Success does not happen in isolation. It is very often a participative
and collective process. So share the good practices, ideas, new learning's with your family, team members, neighbors
1. Bill Gates earns US$250 every SECOND, that's about US$20
Million a DAY and US$7.8 Billion a YEAR!
____________ _________ _________ ____
2. If he drops a thousand dollar, he won't even bother to pick
it up bcoz the 4 seconds he picks it, he would've already earned
it back.
____________ ______________ _________ _________ _________ __
3. The US national debt is about 5.62 trillion, if
Bill Gates were to pay the debt by himself; he will finish it in
less then 10 years.
____________ ______________ _________ _________ _____
4. He can donate US$15 to everyone on earth but still be left
with US$5 Million for his pocket money.
____________ _________ _________ _________ _________ ___
5. Michael Jordan is the highest paid athlete in US.
If he doesn't drink and eat, and keeps up his annual income i.e.
US$30 Million, he'll have to wait for 277 years to become as
rich as Bill Gates is now.
____________ ______________ _________ _________ ___
6. If Bill Gates was a country, he would be the 37th richest
country on earth.
____________ ______________ _________ _________ __
7. If you change all of Bill Gate's money to US$1 notes, you can
make a road from earth to moon, 14 times back and forth. But you
have to make that road non-stop for 1,400 years, and use a total
of 713 BOEING 747 planes to transport all the money.
____________ ______________ _________ _________ _________ _
8. Bill Gates is 40 this year. If we assume that he will live
for another 35 years, he has to spend US$6.78 Million per day to
finish all his money before he can go to heaven.
____________ ______________ _________ _________ _________ _
Last but not the least:
If Microsoft Windows' users can claim US$1 for every time their
computers hang because of Microsoft Windows, Bill Gates will be
bankrupt in 3 years!!!!!!! !!!!
© Blogger template Writer's Blog by Ourblogtemplates.com 2008
Back to TOP